Saturday, April 16, 2005

How To Make Homemade Cappuccino

Triple Echo Triple-collective pictorial

Triple Echo - collective painting from 24/04/2005 to 14/05/2005
Triple Echo of Nature - Mauritius Boscheri, Luca Leonelli, Gianni Sevini

This group show, not the case? I defined between The half-jokingly, Triple Echo of Nature, because the artists who participate have already been strong, l? last year of three successive solo exhibitions, and, despite the diversity of styles and aesthetic options, are linked by a open eye on nature, focused, to put it a little outdated, the beauty of the world. For these three artists have already drawn up, from time to time, brief notes, and now I do not just have to revisit, perhaps quoting myself. For Sevin, I can only reiterate what I noticed, a bit? paraphrasing, and that is that his painting of a singular color transparency, immersed in an underwater light that I could define, focuses on a review of the University made by a natural part of dreams, beyond all manner of temptation of naturalism , to arrive at a visionary contemplation, in which things are filtered by a? acute sensitivity to color and blend in a delicate shipwreck lyric forms. To me it seems inevitable return Boscheri what I wrote: its colors? Of mysterious light bulb, giving his animals and landscapes that they host, a tension between suspended? dream and witchcraft, between the animal and fairy tale fantasy totem?. In other words, reflects Boscheri, yes, the nature, but in a magic mirror that deforms slightly, and that makes it an excess of hyper reality. For
Leonelli, I can not quote what is written above, because his show was focused exclusively on insects and now has done, so to speak, a systematic jump, going from insects to molluscs and apes. The result, however, remains the same painting. Leonelli is fascinated by animals, which he perceives as a huge museum of shapes in continuously changing, which is working and dreaming always. Observes them with a? Scientific attention, deforms them with a taste for? Excess and caricature, he finds them, not only fascinating, but fun!
Giorgio Celli


Ca 'the Ghironda - Museo d'Arte Classica, Moderna Contemporaneavia and Leonardo da Vinci, 19-40069 Ponte Ronca di Zola Predosa (Bologna) tel. +39 051 757419 (ra) fax +39 051 6160119

Carb Well Balance Bars Gas

Eco-Collective painting from 24/04/2005 to 14/05/2005

Triple Echo - collective painting from 24/04/2005 to 14/05/2005

Triple Echo of Nature - Mauritius Boscheri, Luca Leonelli, Gianni Sevini
This group show, not the case? I called, both serious and humorous, Triple Echo of Nature, because artists who participate have already been strong, l? last year of three successive solo exhibitions, and, despite the diversity of styles and aesthetic options, are linked by an open eye on nature, focused, to put it in a little outdated, the beauty of the world. For these three artists have already drawn up, from time to time, brief notes, and now I just have to revisit, perhaps quoting myself. For Sevin, I can only reiterate what I noticed, a bit? paraphrasing, and that is that his painting of a singular color transparency, immersed in an underwater light that I could define, focuses on a review of the University made by a natural part of dreams, beyond any temptation of naturalism way to arrive at a visionary contemplation, in which things are filtered by a? acute sensitivity to color and blend in a delicate shipwreck lyric forms. To me it seems inevitable return Boscheri what I wrote: its colors? Of mysterious light bulb, giving his animals and landscapes that host them, a tension between suspended? Dream and witchcraft, between the animal and fairy tale fantasy totem?. In other words, reflects Boscheri, yes, the nature, but in a magic mirror that deforms slightly, and that makes it an excess of hyper reality.
For Leonelli, I can not quote what is written above, because his show was focused exclusively on insects and now has done, so to speak, a systematic jump, going from insects to molluscs and apes. The result, however, remains the same painting. Leonelli is fascinated by animals, which he perceives as a huge museum of shapes in continuously changing, which is always working and dreaming. Observes them with a? Scientific attention, deforms them with a taste for? Excess and caricature, he finds them, not only fascinating, but fun! Giorgio Celli
Ca 'the Ghironda - Museum of Classical, Modern and Contemporaneavia Leonardo da Vinci, 19-40069 Ponte Ronca di Zola Predosa (Bologna) tel. +39 051 757419 (ra) fax +39 051 6160119

Wednesday, April 13, 2005

I'm A Mental Health Technician

TRIPLE ECO exhibition in Ca Ghironda

Next exhibition TRIPLE ECO by Giorgio Celli ,
at the Cà Ghironda Space Atelier www.ghironda.it
from 24 April to May 14.
Opening Sunday, April 24 at 16:00

Monday, October 18, 2004

Venetian Bronze Grab Bar

"Paradoxes of Flight" by Giorgio Celli 10/28/2004 Paradoxes

Paradoxes of flight
by Giorgio Celli
29 October to 14 November 2004 Opening Thursday, October 28
19.30

The Circle of Artists presents Faenza an exhibition of works on paper and polyester painter Luca Leonelli by Giorgio Celli.
Leonelli, Modenese artist of extraordinary inventive, using the technique of? has created a watercolor? by 30 meters long and 1.15 high, on large rolls of paper Arches.
E? the story of the flight of a swarm with meetings and travel experiences. Quest? Latest research work? artist began as a sort of developing as the Treaty of entomology? articulation of a discourse open to several levels of communication.
social animals find their meaning in the swarm that defines the space of their existence, create situations, causing reactions, according to the changes meaning? Spatial domain that is found, the rhythm of the cadence? Action, time.
Since the swarm consists of individuals is incomplete, unstable and unpredictable, will have to suffer what is external and react to taxes, trace new routes and communicate with other entities composed and incomplete, to invent new reasons for existence.
a flight will be disrupted by weather events, meet and mingle with the crowd, find the sea and its inhabitants, until it disappears at high speed in a hole in the wall.
It is a metaphor for our existence. This suggests that beyond the wall may be a surprise for the visitor of the fair itself somewhat unusual. A collection of other
20 large works round off the show.

The exhibition is accompanied by a catalog with essays by Giorgio Celli and Claudio Cerritelli.

Circle of Artists Faenza
Press